Tools, Ressourcen und Literatur

Dokumentation

Vom Schreiben und Denken Die Saga der Schrift 1/3 Doku HD Reupload ARTE:
https://youtu.be/DXWS5p2LQ_s

Die Saga der Schrift – Vom Schreiben und Denken (2/3) | Doku HD Reupload | ARTE:
https://youtu.be/eyl26knKBRk

Wie sich die Schrift entwickelt hat | Die Saga der Schrift (3/3) | Doku HD Reupload | ARTE:
https://youtu.be/fGxj1cxR6jk

---

Literatur

Bringhurst, Robert: The Elements of Typographic Style. 4. Auflage, Hartley & Marks Publishers, 2012. Das Standardwerk der modernen Typografie, das Theorie und Praxis meisterhaft verbindet.

Tschichold, Jan: Die neue Typographie. Brinkmann & Bose, 1987 (Nachdruck der Ausgabe von 1928). Manifesto der modernen Typografie und bis heute einflussreich.

Kinross, Robin: Unjustified texts: Perspectives on typography. Hyphen Press, 2002. Kritische Auseinandersetzung mit typografischen Mythen und Dogmen.

Kapr, Albert: Schriftkunst: Geschichte, Anatomie und Schönheit der lateinischen Buchstaben. Verlag der Kunst, 1971. Umfassende Darstellung der Entwicklung lateinischer Schriften.

Updike, Daniel Berkeley: Printing Types: Their History, Forms, and Use. Harvard University Press, 1937. Klassische Darstellung der Schriftentwicklung bis zum frühen 20. Jahrhundert.

Carter, Matthew: Typographically Speaking. Princeton Architectural Press, 2019. Einblicke in die Arbeit eines der bedeutendsten zeitgenössischen Schriftgestalter.

Rayner, Keith & Pollatsek, Alexander: The Psychology of Reading. Lawrence Erlbaum Associates, 1989. Wissenschaftliche Grundlagen der Leseforschung.

Spencer, Herbert: The Visible Word. Lund Humphries, 1969. Pionierarbeit zur Wahrnehmung typografischer Gestaltung.

Lupton, Ellen: Thinking with Type. 2. Auflage, Princeton Architectural Press, 2010. Praxisorientierte Einführung in die Typografie mit Fokus auf digitale Anwendungen.

Santa Maria, Jason: On Web Typography. Jeffrey Zeldman Presents, 2014. Speziell auf Web-Typografie ausgerichtetes Praxisbuch.

Jehl, Scott: Responsible Responsive Design. A Book Apart, 2014. Performance-Aspekte responsiver Web-Typografie.

Baseline (International Typographics Magazine) Eye (International Review of Graphic Design) Slanted (Typografie und Grafikdesign) Typographische Monatsblätter

Burke, Christopher (2007): Active Literature: Jan Tschichold and New Typography. Hyphen Press, London.

Jury, David (2006): What is Typography? RotoVision, Mies.

Frutiger, Adrian (2006): Der Mensch und seine Zeichen. 3. Auflage. Marix Verlag, Wiesbaden.

Hochuli, Jost; Kinross, Robin (2008): Designing Books: Practice and Theory. Hyphen Press, London.

Noordzij, Gerrit (2005): The Stroke: Theory of Writing. Hyphen Press, London.

Karow, Peter (1993): Font Technology: Description and Tools. Springer-Verlag, Berlin.

Meggs, Philip B.; Purvis, Alston W. (2016): Meggs‘ History of Graphic Design. 6. Auflage. John Wiley & Sons, Hoboken.

Tracy, Walter (2003): Letters of Credit: A View of Type Design. David R. Godine, Boston.

Willberg, Hans Peter; Forssman, Friedrich (2005): Erste Hilfe in Typografie. 3. Auflage. Verlag Hermann Schmidt, Mainz.

Spiekermann, Erik; Ginger, E.M. (2003): Stop Stealing Sheep & find out how type works. 2. Auflage. Adobe Press, Berkeley.

DIN 16518 (1964-2009): Klassifikation der Schriften. Deutsches Institut für Normung, Berlin.

Deutsches Institut für Normung: DIN 16507-1: Schriftgrade – Begriffe. Beuth Verlag, 2018.

Deutsches Institut für Normung: DIN 16518: Klassifikation der Schriften. Beuth Verlag, 2020.

International Organization for Standardization: ISO 15930: Graphic technology – Prepress digital data exchange. ISO, 2017.

Vox, Maximilien (1954): Classification des caractères. In: Communication et langages, Nr. 1, S. 52-56.

Rossum, Just van (2022): Variable Fonts for Dummies. In: Type Network Documentation.

Hudson, John (2019): Introducing OpenType Variable Fonts. Microsoft Typography Documentation.

Binns, Betty (2021): Better Type. RIT Press, Rochester.

Lupton, Ellen (2020): Thinking with Type: A Critical Guide for Designers, Writers, Editors, & Students. 3. Auflage. Princeton Architectural Press, New York.

Kindersley, David: Optical Letter Spacing for New Printing Systems. Wynkyn de Worde Society, London 1976.

Morison, Stanley: A Tally of Types. Cambridge University Press, Cambridge 1973.

Blackwell, Lewis: 20th Century Type. Laurence King Publishing, London 1998.

Beier, Sofie: Reading Letters: Designing for Legibility. BIS Publishers, Amsterdam 2012.

Dyson, Mary C.: How Physical Text Layout Affects Reading from Screen. Behaviour & Information Technology 23, 2004.

Lund, Ole: Knowledge Construction in Typography: The Case of Legibility Research and the Legibility of Sans Serif Typefaces. Dissertation, University of Reading, 1999.

Pelli, Denis G.; Burns, Cathleen W.; Farell, Bart; Moore-Page, Deborah C.: Feature Detection and Letter Identification. Vision Research 46, 2006.

Felici, James: The Complete Manual of Typography. 2. Auflage, Adobe Press, Berkeley 2012.

U&lc (Upper and Lower Case). International Typeface Corporation, verschiedene Ausgaben 1973-1999.

Benson, Richard: The Printed Picture. Museum of Modern Art, 2008.

Marcotte, Ethan: Responsive Web Design. 2. Auflage. A Book Apart, 2014.

W3C Recommendation: CSS Fonts Module Level 4. World Wide Web Consortium, 2021.

Didot, François-Ambroise: Essai sur la typographie. Paris, 1797.

Goudy, Frederic W: Typologia: Studies in Type Design & Type Making. University of California Press, 1940.

Adobe Type: OpenType Specification. https://adobe-type-tools.github.io/opentype-spec/

Microsoft Typography: Typography Guidelines. https://docs.microsoft.com/en-us/typography/

Web Typography: CSS Fonts Module. https://www.w3.org/TR/css-fonts-4/

Bartram, D. (1982). The perception of semantic quality in type: Differences between designers and non-designers. Information Design Journal, 3(1), 38-50.

Juni, S., & Gross, J. S. (2008). Emotional and persuasive perception of fonts. Perceptual and Motor Skills, 106(1), 35-42.

Larson, K. (2004). The science of word recognition. Microsoft Typography.

Tinker, M. A. (1963). Legibility of Print. Iowa State University Press.

Lewis, C., & Walker, P. (1989). Typographic influences on reading. British Journal of Psychology, 80(2), 241-257.

Paterson, D. G., & Tinker, M. A. (1940). How to Make Type Readable. Harper & Brothers.

Henderson, J. M., & Ferreira, F. (1990). Effects of foveal processing difficulty on the perceptual span in reading. Journal of Experimental Psychology: Learning, Memory, and Cognition.

Morrison, G. R. (1986). Communicability of the emotional connotation of type. Educational Technology Research and Development.

Bernard, M., Lida, B., Riley, S., Hackler, T., & Janzen, K. (2002). A comparison of popular online fonts: Which size and type is best? Usability News, 4(1).

Poffenberger, A. T., & Franken, R. B. (1923). A study of the appropriateness of type faces. Journal of Applied Psychology, 7(4), 312-329.

Beymer, D., Russell, D. M., & Orton, P. Z. (2008). An eye tracking study of how font size and type influence online reading. Proceedings of the 22nd British HCI Group Annual Conference, 2, 15-18.

Gould, J. D., Alfaro, L., Finn, R., Haupt, B., & Minuto, A. (1987). Reading from CRT displays can be as fast as reading from paper. Human Factors.

Mills, C. B., & Weldon, L. J. (1987). Reading text from computer screens. ACM Computing Surveys.

Rello, L., & Baeza-Yates, R. (2013). Good fonts for dyslexia. Proceedings of the 15th International ACM SIGACCESS Conference on Computers and Accessibility, 14.

Doyle, J. R., & Bottomley, P. A. (2004). Font appropriateness and brand choice. Journal of Business Research, 57(8), 873-880.

Tannenbaum, P. H., Jacobson, H. K., & Norris, E. L. (1964). An experimental investigation of typeface connotations. Journalism & Mass Communication Quarterly.

Dillon, A. (1992). Reading from paper versus screens: A critical review of the empirical literature. Ergonomics.

Schriver, K. A. (1997). Dynamics in Document Design. John Wiley & Sons.

Harley, A. (2019). The impact of web fonts on performance. Nielsen Norman Group Technical Report.

Shaikh, D. (2007). A cross-cultural analysis of the comprehension of web-based information. Doctoral dissertation, Wichita State University.

---